By Heather Davis, Etienne Turpin (eds.)
Taking as its premise that the proposed geologic epoch of the Anthropocene is unavoidably a cultured occasion, this booklet explores the connection among modern paintings and information creation in an period of ecological challenge, with contributions from artists, curators, theorists and activists. participants contain Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud & Ida Soulard, Laurent Gutierrez & Valérie Portefaix (MAP Office), Terike Haapoja & Laura Gustafsson, Laura corridor, Ilana Halperin, Donna Haraway & Martha Kenney, Ho Tzu Nyen, Bruno Latour, Jeffrey Malecki, Mary Mattingly, Mixrice (Cho Jieun & Yang Chulmo), Natasha Myers, Jean-Luc Nancy & John Paul Ricco, Vincent Normand, Richard Pell & Emily Kutil, Tomás Saraceno, Sasha Engelmann & Bronislaw Szerszynski, Ada Smailbegovic, Karolina Sobecka, Zoe Todd, Richard Streitmatter-Tran & Vi Le, Anna-Sophie Springer, Sylvère Lotringer, Peter Sloterdijk, Etienne Turpin, Pinar Yoldas, and Una Chaudhuri, Fritz Ertl, Oliver Kellhammer & Marina Zurkow.
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Extra info for Art in the Anthropocene: Encounters among Aesthetics, Politics, Environments and Epistemologies
Boaventura de Sousa Santos (London and New York: Verso, 2008), 182–218; and Shiv Visvanathan, “From the Annals of the Laboratory State,” Alternatives 12 (1987): 37–59; a special thanks to Nabil Ahmed for sharing these works at an early stage of research for this book. 90 Visvanathan, “Between Cosmology and System,” 213. , 214. 92 Ibid. , 190. 94 Boaventura de Sousa Santos, João Arriscado Nunes, and Maria Paula Meneses, “Opening Up the Canon of Knowledge and Recognition of Difference,” in Another Knowledge Is Possible: Beyond Northern Epistemologies, ed.
15 Jean-Luc Nancy, After Fukushima: The Equivalence of Catastrophes, trans. Charlotte Mandell (New York: Fordham University Press, 2015), 8. Art and Death | Heather Davis & Etienne Turpin 23 16 Interview with Isabelle Stengers, by Heather Davis and Etienne Turpin, “Matters of Cosmopolitics,” in Architecture in the Anthropocene: Encounters Among Design, Deep Time, Science and Philosophy, ed. Etienne Turpin (Ann Arbor: Open Humanities Press), 178. 17 For an especially influential reading of this interrelation, see Manuel DeLanda, A Thousand Years of Nonlinear History (New York: Zone, 1997).
3 (March 2011): 60–85. For a much earlier version of this position, see Antonio Stoppani, “Excepts from Corso di Geologia,” ed. Etienne Turpin and Valeria Federighi, trans. Valeria Federighi, Scapegoat: Architecture | Landscape | Political Economy, Issue 05: Excess (Summer/Fall 2013): 346–354. ” On the powers of speculative fiction for organizing thought, see Hans Vaihinger, The Philosophy of “As If”: A System of the Theoretical, Practical, and Religious Fictions of Mankind (London and New York: Routledge, 2009 ).
Art in the Anthropocene: Encounters among Aesthetics, Politics, Environments and Epistemologies by Heather Davis, Etienne Turpin (eds.)